To become the willing chattel of even so comely a female as Lady Loverly, Dirk Conway must have had a latent tendency to Pageism. He experiences mild algolagnia when his mistress makes him suffer to satisfy her strange desires but this is suddenly replaced by a strong anophelorastia—the craving to hurt, ravage and defile this beautiful young woman. As the sexolepsy progresses, the hegemonic balance changes, and the chatelaine becomes the chattel. As Lady Loverly experiences a reverse sexolepsy, she finds her libido temporarily geared to respond to a latent mastilagnia in her personality, lusting for the lashing pain that brings such strange release; needing the restraint of bonds to fetter her lovely body as she goes through the oddly compelling phase of merin-tholagnia.

But enough of these esoteric words!

Let us now revert to language we all can understand, as Jonathan Everest gives us the setting, the props, and the frighteningly believable cast of characters who people this brightly illuminated stage. Torn by the conflicting drives of their complicated sexualities, Lady Loverly and her chattel take us on a shockingly spellbinding journey, giving a graphic representation of the peculiar weaknesses to which some human beings are subject.