Résumé
Birds wasting away in a national park, refusing to migrate. Identical geometric markings on the wings of completely different insect species. A pillar of dust in the desert. A small-time hood travels to India's shipbreaking yards in search of a giant nuclear-powered construction robot. A big-time crime boss makes a killing off the Algerian Revolution, in a world where it happened fifteen years later than in our own. "A good story," insists reporter Françoise Halfort, visited abruptly by a post-menopausal pregnancy, "is one that draws unexpected connections between seemingly unconnected events." Four star creators join talents on a vast canvas that takes in the entire French 20th century.
Auteur
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Gwen de Bonneval was born in 1973 in Nantes. At the beginning of his career he worked for the press and in children's publishing. In 1998 he joined the Atelier des Vosges and devoted himself to his greatest passion: comics. With scriptwriter Fabien Vehlmann, he created the series "Samedi et Dimanche" (Dargaud; Europe Comics 2020), and both wrote and illustrated the series "Basile Bonjour" for publisher Delcourt. Later, together with some friends (including Matthieu Bonhomme and Stéphane Oiry), he created the Atelier du coin. There he worked on projects like "Monsieur Forme" (Delcourt), "Gilgamesh" (Dargaud), and "Messire Guillaume" (Dupuis), the latter of which was recognized at the Angouleme Comics Festival. In 2013, he published the last volume of the series "Bonneval Pacha" (Dargaud). His most recent work includes the saga "Le Dernier Atlas," together with Fabien Vehlmann and Hervé Tanquerelle (Dupuis; "Last of the Atlases," Europe Comics).
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Hervé Tanquerelle was born in 1972 in Nantes. His first book, "La Ballade du Petit Pendu" (l'Association) was released in 1998. Since then, he has amassed dozens of graphic and narrative experiences, alone or in collaboration with other scriptwriters. His work spans various genres, including fantasy, thrillers, and epics. From 2012 to 2015 he was editor-in-chief of the comics magazine "Professeur Cyclope." In 2018, alongside Hervé Bourhis, he published "Le Petit Livre french pop" (Dargaud). Most recently, he has collaborated on the saga "Le Dernier Atlas" (Dupuis; "Last of the Atlases," Europe Comics) together with Gwen De Bonneval, Fabien Vehlmann, and Fred Blanchard.
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After going to art school in Paris at the ESAG Penninghen, Fred Blanchard started his career as a press illustrator and later went to work for Delcourt, directing several popular collections at the French publishing house. At the same time, he started taking on animation projects, supervising background work for a number of television series and even working on the movie adaptation of "Corto Maltese" in 2002. He then began to shift toward comics, and started to create designs for different series like "Spirou and Fantasio" (Dupuis), "Les Naufragés d'Ythaq" (Soleil), "Sangre" (Soleil), and "Renaissance" (Dargaud). Most recently, he has worked on the design of the series "Dernier Atlas" (Dupuis; "Last of the Atlases," Europe Comics). He is currently working on a graphic novel that will be released in 2020.
Auteur(s) : Fabien Vehlmann, Gwen de Bonneval
Caractéristiques
Auteur(s) : Fabien Vehlmann, Gwen de Bonneval
Publication : 20 janvier 2020
Support(s) : Livre numérique eBook [ePub]
Protection(s) : Marquage social (ePub)
Taille(s) : 14,5 Mo (ePub)
EAN13 Livre numérique eBook [ePub] : 9791032809891
