Autonomy and Commitment in Twentieth-Century British Literature

Name: Autonomy and Commitment in Twentieth-Century British Literature
Brand: Presses universitaires de la Méditerranée
SKU: 9782367814094
Price: 9.99 EUR
Availability: InStock
ISBN: 978-2-367-81409-4

de Jean-Michel Ganteau (éditeur), Christine Reynier (éditeur)

Maison d'édition : Presses universitaires de la Méditerranée

octobre 2023

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304 pages Téléchargement après achat

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Résumé

This collection of essays means to explore the interaction between autonomy and commitment in an attempt at revisiting and possibly, revising conventional literary history. Until recently, literary history has indeed tended to present twentieth century British literature as either autonomous or committed, but such a position certainly needs qualification. By addressing the joint issues of autonomy and commitment and basing their arguments on such theoretical writings as those of Adorno, Benjamin, Jameson, Rancière or Attridge, the essays presented here come to question the canonical definitions of modernism as experimental literature, the literature of the 1940s and 1950s as committed and post-modern fiction as self-reflexive and autonomous. Through reflections on experimentation and ideology, narcissism and metafiction, aestheticism and militancy, abstraction and ethical involvement, they flesh out the very definitions of autonomy and commitment, confront the two notions and relentlessly test their interaction, thus bringing out the complexities and subtleties of the various moments and movements that make up the literary landscape of the 20th century and the beginning of the 21st.

Auteur

Jean-Michel Ganteau (Edité par)

Jean-Michel Ganteau is Professor of Contemporary British Literature at the Université Paul-Valéry—Montpellier 3 (France) where he co-chaired the CERVEC research team between 2004 and 2010. He is at the moment in charge of the postgraduate programmes and at chairs the Doctoral School (ED58). He is the editor of the journal Études britanniques contemporaines (volume 49 has just been released). He is the author of three monographs: David Lodge: le choix de l’éloquence (Presses universitaires de Bordeaux, 2001), Peter Ackroyd et la musique du passé (Michel Houdiard, 2008) and The Aesthetics and Ethics of Vulnerability in Contemporary British Fiction (Routledge, 2015). He is also the editor, with Christine Reynier, of four volumes of essays Impersonality and Emotion in Twentieth-Century British Literature (Publications Montpellier 3, 2005), Impersonality and Emotion in Twentieth-Century British Arts (Presses universitaires de la Méditerrannée, 2007), Autonomy and Commitment in Twentieth-Century British Literature (PULM, 2010), and Autonomy and Commitment in Twentieth-Century British Arts (PULM, 2012). He has also edited several volumes of essays in collaboration with Susana Onega, The Ethical Component in Experimental British Fiction since the 1960s (Cambridge Scholars Publishing, 2007), Trauma and Ethics in Contemporary British Literature (Rodopi, 2010),Trauma and Romance in Contemporary British Fiction (Routledge, 2013) and Contemporary Trauma Narratives: Liminality and the Ethics of Form (Routledge, 2014). He has edited special issues of various journals (Études anglaises, Cahiers victoriens et édouardiens). He has published numerous articles on contemporary British fiction, with a special interest in the ethics of affects (as manifest in such aesthetic resurgences and concretions as the baroque, kitsch, camp, melodrama, romance), in France and abroad (other European countries, the USA) as chapters in edited volumes or in such journals as Miscelanea, Anglia, Symbolism, The Cambridge Quarterly, etc.